Universal Orlando Resort have announced the line up for the 2016 Celebration of Harry Potter! This year, which is the event’s third, will see some past guests as well as new ones that are sure to excite fans! Matthew Lewis and Evanna Lynch will all be returning to the event! Bonnie Wright, Rupert Grint and Katie Leung will also be joining in on the fun from January 29th – 31st.
Access to “A Celebration of Harry Potter” is included with regular theme park admission or with an annual pass, with admission to certain activities being granted on a first-come, first-served basis. While most of the activities for “A Celebration of Harry Potter” will be open to all Universal Orlando park guests and will take place at both Islands of Adventure and Universal Studios Florida theme parks, guests who purchase the exclusive event vacation package will enjoy certain special benefits and reserved sections for the panels and demonstrations.
Full details from the press release are as follows:
HARRY POTTER EXPO (Universal Studios Florida theme park) The Harry Potter Expo will be held inside a Universal Orlando soundstage and will be open to guests throughout the weekend. The expo will include the following booths and exhibits that will give guests deeper insight into the global phenomenon that is Harry Potter:
Warner Bros. Studio Tour London – The Making of Harry Potter
Warner Bros. Studio Tour London offers visitors the chance to relive the magic through the eyes of the filmmakers who brought the Harry Potter film series to life. Visitors can step on to authentic sets and admire the real props and costumes used during filming at the series’ production home in England, UK.
The Studio Tour is bringing an interactive taste of the experience to ‘A Celebration of Harry Potter’ 2016, giving you the chance to see the incredible behind-the-scenes talent that went into creating the iconic film series.
Harry Potter: The Exhibition
Sorting Hat Experience
Are you a Gryffindor or a Slytherin? A Hufflepuff or perhaps a Ravenclaw? At the beginning of each school year the Sorting Hat places new Hogwarts students into a house, and now you too have the opportunity to get sorted in a Great Hall setting inspired by the blockbuster films.
Step inside the Expo and the red carpet is rolled out welcoming you to an area celebrating the global impact Harry Potter: The Exhibition has had during its 7-year, 13-city tour, including an exclusive Quidditch inspired photo opportunity.
Graphic designers Miraphora Mina and Eduardo Lima worked for ten years on the Harry Potter films, creating countless unforgettable graphic props, some of which will be on display including iconic pieces such as The Marauder’s Map, Daily Prophet and Hogwarts school books. Since working on the films, they created the MinaLima Store selling authentic reproductions of the film artwork with limited edition art prints and stationery. They are currently in production on the new feature film from Warner Bros. Pictures, Fantastic Beasts and Where to Find Them.
Pottermore from J.K. Rowling
Pottermore is the digital heart of J.K. Rowling’s Wizarding World and if discovering more about her magical universe excites you, Pottermore has a surprise in store for fans attending this year’s Celebration of Harry Potter. And keep your eyes peeled for their new Pottermore Correspondent (Rita Skeeter she certainly isn’t), who’ll be there hunting out exclusive scoops and bringing you updates on pottermore.com from the weekend’s activities.
Celebrate Harry Potter at Scholastic’s booth by sharing a message about what Harry Potter means to you. Color in a magical page from our brand-new Harry Potter coloring book. Be sure to enter daily raffles for a chance to win a copy of the new illustrated edition of Harry Potter and the Sorcerer’s Stone, a box set of all seven Harry Potter books, or a Harry Potter coloring book. Collectible giveaways are available for Harry Potter fans of all ages.
To join the conversation, use #HPCelebration. For more information about the event, tickets and available exclusive event vacation packages, visit www.universalorlando.com/celebration.
“A CELEBRATION OF HARRY POTTER” PANELS AND DEMONSTRATIONS (Islands of Adventure and Universal Studios Florida theme parks)
Demonstrations and Q&A sessions will be available featuring Harry Potter film talent and crew, with special panels and demonstrations for kids. Admission into panels and demonstrations will be granted on a first-come, first-served basis. Specific times will be released at a later date.
Behind the Scenes: Harry Potter Film Talent Discussion
Enjoy a fascinating and interactive Q&A session featuring some of your favorite actors from the Harry Potter films. Discover what it was like to work on the most successful film franchise in history.
Behind-the-scenes of the Harry Potter props with Pierre Bohanna
Ever wondered how long it takes to make a wand? Or where the inspiration for the hundreds of wand designs in the Harry Potter film series came from? Warner Bros. Studio Tour London presents head prop maker for the films, Pierre Bohanna, who will answer these questions and more. Once you’ve discovered how they were made, raise your own wand as Death Eaters invade the stage to demonstrate how battle scenes were brought to life.
The Global Impact of Harry Potter: The Exhibition
Join us in celebrating the touring attraction that’s visited 13 cities in 9 countries and hosted almost 4 million guests. Harry Potter: The Exhibition is in a unique position to reflect on the global impact of the franchise. Get an exclusive look at the exhibition’s creation and the excitement it continues to deliver to fans around the world. Panel will include exhibition creators, film producers, and film actors who have participated in the openings.
Graphic Design for the Harry Potter Films with MinaLima
Miraphora Mina and Eduardo Lima, from the graphic design studio MinaLima, will share insights into their role as graphic prop designers, and how their paths crossed at the WB film studios while working for 10 years on the Harry Potter movies. They will discuss and show some of the iconic props they created for the Harry Potter films, including The Marauder’s Map, the Daily Prophet, and The Quibbler, amongst others. Still immersed in all things Harry Potter, they will also talk about their involvement in The Wizarding World of Harry Potter – Diagon Alley, for which they designed all the street and store graphics. During the panel they will welcome questions from the audience.
This year’s “A Celebration of Harry Potter” will also include kids’ demonstrations and interactive experiences such as a ‘Dance Like a Beauxbatons and Battle Like a Durmstrang’ experience, as well as Harry Potter film trivia.
As we’ve posted a few times over the past months, Bloomsbury released a deluxe illustrated edition of Harry Potter and the Philosopher’s Stone with art by Jim Kay. The book was officially released in the UK yesterday and is available for £150 at Bloomsbury’s website. It appears that the book can be shipped worldwide, which is good news for fans in the US and other countries who would have to wait until March 2016 when it will be available at other stores.
The deluxe illustrated edition of J.K. Rowling’s timeless classic will feature an exclusive pull-out double gatefold of Diagon Alley; intricate foiled line art by Jim Kay on a real cloth cover and slipcase; gilt edges on premium grade paper; head and tail bands and two ribbon markers. It is the ultimate must-have edition for any fan, collector or bibliophile. This edition will be sold exclusively from the Bloomsbury.com website until March 2016 when it will be made available to retail outlets.
This special edition is an utterly enchanting feast of a book and something to treasure for a lifetime. Brimming with rich detail and humour, Jim Kay’s dazzling depiction of the wizarding world and much loved characters will captivate fans and new readers alike. In oil, pastel, pencil, watercolour, pixels and a myriad of other techniques, Jim Kay has created over 115 astonishing illustrations.
The Harry Potter Spotter competition launches on Friday 9th October. It challenges people of all ages to seek out and photograph an image from the book placed in museums around the country and share via social media. Working with Kids in Museums, Bloomsbury has placed 12 Jim Kay prints in 12 different museums around the UK and Ireland. With a clue to solve at each venue participants must find these images, take a photo of themselves with it and share via Twitter or Instagram using the hashtag #HarryPotterSpotter.
Jim Kay has always been a fan of museums saying; ‘Museums are one of my favourite places to visit. The objects they contain tell the story of ourselves and our world, and I find them endlessly inspiring and fascinating. My illustrations owe so much to museum collections, it’s an honour to know they will appear in the places that made me want to become an artist.’
One overall winner will receive a family ticket to the Warner Bros. Studio Tour London – The Making of Harry Potter plus a Harry Potter tote bag, a Jim Kay signed print and a copy of the Deluxe Illustrated Edition of Harry Potter and the Philosopher’s Stone (RRP: £150). 12 additional prize winners, one from each museum, will receive a Harry Potter tote bag, aJim Kay signed print and a copy of Harry Potter and the Philosopher’s Stone Illustrated Edition (RRP: £30). Participants only need to spot one print to enter.
In honor of Harry Potter and the Sorcerer’s Stone: The Illustrated Edition being released today, Bloomsbury and Scholastic gave fan sites the chance to ask illustrator Jim Kay some questions about his work on the book. All of his answers may be read below along with some of the illustrations from the new edition, available today. Thanks to Jim for taking the time to answer all our questions!
Were you influenced by previous Harry Potter illustrators/the films or did you veer away from both? (Alwaysjkrowling.com)
I’m a huge fan of both the books and the films. I thought the screen adaptations were a wonderful showcase of the best set design, product design, costume, casting, directing and acting their disciplines had to offer. I knew from the start that I’m competing to some degree with the hundreds of people involved in the visuals of the film. I remember watching the extras that come with the movie DVDs a few years back, and wondering how on earth you’d get to be lucky enough to work on the visuals for such a great project. To be offered the opportunity to design the whole world again from scratch was fantastic, but very daunting. I’d like to think that over the years lots of illustrators will have a crack at Potter, in the same way that Alice in Wonderland has seen generations of artists offer their own take on Lewis Carroll’s novel. I had to make it my version though, and so from the start I needed to set it apart from the films. I’ll be honest I’ve only seen a few illustrations from other Potter books, so that’s not been so much of a problem. I love Jonny Duddle’s covers, and everyone should see Andrew Davidson’s engravings – they are incredible!
What was the most important detail for you to get right with your illustrations? (Magical Menagerie)
To try and stay faithful to the book. It’s very easy when you are scribbling away to start wandering off in different directions, so you must remind yourself to keep reading Jo’s text. Technically speaking though, I think composition is important – the way the movement and characters arrange themselves on the page – this dictates the feel of the book.
What medium do you use to create your illustrations? (Snitchseeker)
I use anything that makes a mark – I am not fussy. So I don’t rely on expensive watercolour or paints, although I do occasionally use them – I like to mix them up with cheap house paint, or wax crayons. Sometimes in a local DIY store I’ll see those small tester pots of wall paint going cheap in a clear-out sale, and I’ll buy stacks of them, and experiment with painting in layers and sanding the paint back to get nice textures. The line is almost always pencil, 4B or darker, but the colour can be a mixture of any old paint, watercolour, acrylic, and oil. Diagon Alley was unusual in that I digitally coloured the whole illustration in order to preserve the pencil line drawing. I’d recommend experimenting; there is no right or wrong way to make an illustration, just do what works for you!
Because each book is so rich in detail, what is your personal process when choosing specific images? (The Daily Snitcher)
I read the book, then read it again and again, making notes. You start off with lots of little ideas, and draw a tiny thumbnail illustration, about the size of a postage stamp, to remind you of the idea for an illustration you had while reading the book. I then start to draw them a little bigger, about postcard size, and show them to Bloomsbury. We then think about how many illustrations will appear in each chapter, and try to get the balance of the book right by moving pictures around, dropping or adding these rough drawings as we go. With Harry Potter and the Philosopher’s Stone Bloomsbury were great in that they let me try all sorts of things out, different styles, concepts. Some I didn’t think would get into the final book, but everyone was very open to new ideas. There was no definite plan with regards to how the book would look; we just experimented and let it evolve.
Given the distinct split of younger vs. more mature readers of the series, how do you construct your illustrations so that they can appeal to both audiences at once? (Mugglenet)
The simple answer is I don’t try. I think only about the author and myself. You can’t please everyone, particularly when you know how many people have read the book. I don’t think good books are made by trying to appeal to a wide audience. You just try to do the best work you can in the time given, and respect the author’s work. Most illustrators are never happy with their own work. You always feel you want to try more combinations or alternative compositions. You are forever in search of that golden illustration that just ‘works’, but of course it’s impossible to achieve – there will always be another way of representing the text. Effectively you chase rainbows until you run out of time! You get a gut feeling if an image is working. I remember what I liked as a child (Richard Scarry books!). Detail and humour grabbed me as a nipper, and it’s the same now I’m in my forties.
Did you base any characters or items in the book on real people or things? (Leaky Cauldron)
Lots of the book is based on real places, people and experiences. It helps to make the book personal to me, and therefore important. The main characters of the books are based on real people, partly for practical reasons, because I need to see how the pupils age over seven years. In Diagon Alley in particular, some of the shop names are personal to me. As a child we had a toad in the garden called Bufo (from the latin Bufo bufo), Noltie’s Botanical Novelties is named after a very clever friend of mine who works at the Royal Botanic Gardens, Edinburgh. The shop called ‘Tut’s Nuts’ is a little joke from my days working at Kew Gardens; they had in their collections some seeds from the tomb of Tutankhamun, which were affectionately known as ‘Tut’s Nuts’. The imprisoned boy reaching for an apple in Brigg’s Brooms is from a drawing my friend did when we were about 9 years old – that’s thirty two years ago!
Which character was the most difficult to draw? (Harry Potter’s Page)
Harry, without a doubt. Children are difficult to draw because you can’t use too many lines around the eyes and face, otherwise they look old. One misplaced pencil line can age a child by years, so you have to get it just right. Also Harry’s glasses are supposed to look repaired and bent out of shape, which I’ve found tricky to get right.
What is your favourite scene you have illustrated? (Alwaysjkrowling.com)
That’s a difficult one. I’m fond of the ghosts. I paint them in reverse (almost like a photographic negative) and layer several paintings to make them translucent. I enjoyed Nearly Headless Nick. I really enjoyed illustrating the trolls too. Your favourite illustrations tend to be the ones that gave you the least amount of difficulties and I think Diagon Alley was nice for this reason. It was more like a brainstorming exercise, slowly working from left to right. My favourite character to illustrate is Hagrid – I love big things!
Are there any hidden messages/items in your drawings for the Harry Potter series? (Magical Menagerie)
There are, but they are little things that relate to my life, so I’m not sure how much sense they’d make to other people. I like to include my dog in illustrations if I can (he’s in Diagon Alley). I also put a hare in my work, for good luck. There’s a hare in A Monster Calls, and in Harry Potter. My friends appear as models for the characters in book one, and some of their names too can be seen carved on a door, and on Diagon Alley. There are little references to later books too, such as on the wrought-iron sign of the Leaky Cauldron. I do it to keep things interesting for me while I’m drawing.
How did you approach illustrating the Hogwarts Castle and grounds? (Harry Potter Fan Zone)
I really enjoyed doing this. You have to go through all seven books looking for mentions of the individual rooms, turrets, doors and walls of the castle, and make lots of notes. Then you check for mentions of its position, for example if you can see the sun set from a certain window, to find out which way the castle is facing. I then built a small model out of scrap card and Plasticine and tried lighting it from different directions. It was important to see how it would look in full light, or as a silhouette. Then it was a long process of designing the Great Hall, and individual towers. I have a huge number of drawings just experimenting with different doorways, roofs. Some early compositions were quite radical, then I hit upon the idea of trees growing under, through and over the whole castle, as if the castle had grown out of the landscape. This also gives me the opportunity to show trees growing through the inside of some rooms in future illustrations.
What illustrations in the book are you most proud of? (Leaky Cauldron)
Usually it’s the ones that took the least amount of effort! It takes me so many attempts to get an illustration to work, that if one works on the second or third attempt, it’s a big relief. There is one illustration in the book that worked first time (a chapter opener of Hogwarts architecture, with birds nesting on the chimney pots). It kind of felt wrong that the illustration was done without agonising over it for days, it didn’t feel real somehow, so I’m proud of that one because it’s so rare that I get an image to work first time! The only other illustration that was relatively straightforward was the Sorting Hat. Illustrations that come a little easier tend to have a freshness about them, and I think those two feel a little bit looser than others in the book.
Which book do you think will be the most challenging one to illustrate? (Harry Potter’s Page)
At the minute it’s book two! I think book one I was full of adrenaline, driven by sheer terror! Book two I want to have a different feel, and that makes it challenging to start again and rethink the process.
Is there a particular scene in the future Harry Potter books you’re excited to illustrate? (Harry Potter Fan Zone)
I’m really looking forward to painting Aragog in book two. I’m really fond of spiders – there are lots in my studio – so it’s great having reference close to hand! I’m hoping that by the Deathly Hallows we will be fully into a darker and more adult style of illustration, to reflect the perils facing Potter!
How many illustrations did you initially do for the book, and how many of those appeared in the final edition? (Snitchseeker)
There are stacks of concept drawings that no one will ever see, such as the Hogwarts sketches, which I needed to do in order to get my head around the book. Then there are rough drawings, then rough drawings that are worked up a little more, and then it might take five or six attempts for each illustration to get it right.
What house do you think you may have been placed in, aged 11, and would it be the same now? (Mugglenet)
I’d like to think it was Ravenclaw as a child. I was much more confident back then, and creative, plus they have an interesting house ghost in the form of the Grey Lady. These days I work hard and am loyal, so probably Hufflepuff.
Illustrating aside, what is one thing that you love doing to express your creativity? (The Daily Snitcher)
It’s difficult to say because for the past 5 years I have worked on illustration seven days a week, every hour of the day. A few years back I started to write, and I really enjoyed that, it’s far more intimate than illustrating, and I love going over the same line and trying to hone it down to the core of what you are trying to express. My partner makes hats, and I’m very envious. It looks like wonderful fun. We have lots of designs for hats in sketchbooks. I really want to get some time to make some. I’ve always been slightly torn that I didn’t go into fashion, but my sewing is terrible. I used to play guitar a lot and write little bits of music, but that’s difficult now because my hand gets very stiff from drawing all day! The funny thing is, if I did ever get a day off, I’d just want to draw!
Pottermore has released a new behind the scenes video with Harry Potter illustrator Jim Kay in his studio. Jim talks about how he gets his inspirations from nature and gives a little peek at what he’s working on for Chamber of Secrets! Be sure to get the book when it goes on sale TOMORROW, October 6th, or pre-order on Amazon.com or Amazon.co.uk!
“I was looking at all these photographs of evacuee children from the 1940s — in England, you’d call them ‘blitz kids’ — who have been taken away from their home during the blitz. They had sort of thick, scruffy hair, and round glasses, and looked sort of underfed and malnourished, from really tough East End parts of London as well. I wanted that real character coming through, some adversity. But also slightly fragile, because he’s thin, and he’s smaller than usual.”
“What I like about early portrait painting,” Kay says, “is that you have objects in them that are representative of that person. So the dried plant there is honesty — but on the honesty is also a little camouflaged praying mantis. It’s sort of saying, there is honesty with Dumbledore, but with a catch. There’s also a little bottle of dragon’s blood because he wrote a book on dragon’s blood. And knitting because, of course, he likes to knit.”
Dumbledore’s likeness has a special place in Kay’s heart: “He’s based on an amazing illustrator I know, who I absolutely idolize. He’s been an inspiration for years for me, so it’s a huge deal that he’s lent his face to Dumbledore.”